Tuesday, December 14, 2010

4th week(10/18/10-10/21/10)

It was one of the busiest weeks of this semester at the high school. There was an open house for a couple of days, the first rehearsal for the “Messiah” at Carnegie hall and also there was a cabaret performance from Friday through Sunday night. I was able to see how much effort and professionalism as well as the love for music and the students was necessary in order to be a good music teacher. By preparing many different schedules, both students and teacher were getting tired and a few students were neglecting to do what was assigned to them. There were moments when the teacher had to shout to the students as they acted out in a bad manner or talked back to the teacher. I felt bad for some students because it seemed that they were missing important values that come from working with other people. Especially when it deals with a rehearsal right before the concert, they should try to be there unless they had something urgent. Otherwise the students should let the teacher know and explain the reason why they were not able to present themselves for the rehearsal ahead of time. Some students thought that it was okay for them to inform of their situation the next day and the conversation between the teacher and students end up terribly. One student just didn’t show up because he was extremely tired or so and he kept on insisting with a negative attitude, which made the teacher angry. Aside having unpleasant discussions with some students, the teacher had to think about many things related to the concert; selling tickets, getting permission slips from students’ parents, black out rehearsal, decorations, table setting, bringing food, making a floor chart (where tables, kitchen, waiting areas will be), how to perform in limited stage area and so on. As a student teacher, I had a great opportunity to watch how to deal with all these different preparations; also it gave me the opportunity to know the students better while preparing concert.

At all times I try to think of the different qualities that make a good teacher or how I can improve the way I teach to be a better teacher. Once I thought that I could be a good music teacher if I have enough musical knowledge, good class management, and a warm heart to love and care for the students. From the experiences I have learned from NYU and as student teacher plus my own philosophy of music, I really hope that I could be a teacher who communicates well with students with discipline. I have seen many teachers had a good, well-written lesson plan, but they were not really concerned about how much the students were getting the lesson and just kept on moving to the next lesson. Some teachers had the whole class really be more focused to him/her to prevent any disturbances or any noises. But is this a good way of approaching the students? I would say maybe yes, but not always. There are many students who are staring at the teacher, but they are not really paying attention to what is going on. In one choir class, I tried to make everyone look at me, and follow my instructions. At the same time, I tried to look at everyone’s eyes while I am teaching so that I could show the students that I am interested at what they are doing. Unfortunately there were still some students who did not really care about my instructions and what I was saying. At the time I was discouraged by the way they reacted at me but I didn’t want to show any unpleasant feelings. I think speaking louder or calling out to them individually can’t be a solution. I believe and I really hope that I express myself well enough to communicate with the students through music. But how? I am still in the process of learning how to teach better. I believe that teachers should concentrate on how much improvement they can bring to the students and they should give praises and comments on what the students are doing better. Second, teachers need to explain very clearly and specifically enough so that the students can understand. Third, teachers need to have certain discipline and authority. I have heard so many times from people not to try to be friends with students. I guess it depends on who are in the class but generally it is important to have a certain kind of control over them.

I noticed in music appreciation class that I am watching, the teacher was overall very dynamic and encouraged the students to be more involved in the class. In the beginning of the class, he reviewed the previous lesson that the students had learned last time. When explaining, he gave enough examples until students understood the lesson. He often asked questions, not always but to those who were not paying attention. I also noticed he tried to keep the class moving forward with energy. He made students ask questions, which were relevant to the topic (he refused to answer the off-topic questions, he let them take notes the way they could understand, have them listen to the music and connected to the concept, and let them read the book by paragraphs out loud). I could see that most of the students in the class were paying attention and were very engaged throughout the class. Interestingly, when the same students are in keyboard class, it was really hard to get their attention. I guess it is because they were making noise with the keyboard. I don’t know what is the best way to solve this problem yet.

Last week I didn’t get the chance to teach choir class for the whole period due to several announcements that were needed for the concert. So I thought it might be better to slightly modify the lesson in order to fit for the time that I had. I shortened the warm up exercises and I skipped the sight-singing activity. Since we have been singing the same song from last week, I wanted to start by singing the whole song once. They sounded quite nicely but there were couple of places that we needed to practice in each part. I made them sing the given notes to the pitch that was required. If the first note was the middle C and it went up to Bb, I reminded them to think about the 7th chord (dominant) that they had learned in the keyboard class. They haven’t worked on all of the intervals, so I didn’t want to explain too specifically about the intervals between the notes. There were only two tenors in the class, sometimes only one person; it was hard to hear the balance between the parts. After the lesson, my cooperating teacher suggested me that I could ask the choir to stand up in some parts while singing because she thought it gives more dynamics in the class and by switching singing positions, it helps them to be awake, especially in the hot room without any shades. What I am concerned about this group of students is that they are used to singing the music by listening to the piano and they don’t really look at the music sheets and notes sometimes. I believe that by the time they learn new music; they should be aware of the notes written on the music as it would help them make harmonious sound as a group with correct pitch. There is a limitation to improve music of the class due to the lack of an accompanist so the teacher cannot always conduct the choir. I really hope that they could sing together by understanding and listening to every sound they make.

3rd week(10/10/10-10/14/10)

The more experiences I have on student teaching, I realize that there are both good days and bad days. I guess this means that I am getting more and more involved in an actual school environment. The good thing is that now I can remember most of the students’ names but I still have some hard time pronouncing certain names so some of them seemed “a little bit” frustrated when I call their names. In overall this week was pretty hectic even though we had the holiday on Monday. Most classes are preparing for the upcoming concert so we had to work really hard for this. However students were not following the way the teacher wanted them to follow; sometimes it seemed that they were practicing on the pieces only in class and not at home. The worst thing was that they would not let the class progress not even a single minute, or second because they could not stop talking with their neighbors. That made my cooperating teacher and me really tired which made it hard to focus on what we were going to do next. There is definitely less effort to control a small sized class such as opera I, II, women’s ensemble. However classes such as concert choir or chorale, it was hard to stop the students to stop chatting throughout the class.

One day when my cooperating teacher had to leave early because of her dress rehearsal for the concert, I was really concerned about how the students were going to react to the fact that the teacher was not in the classroom. She had assigned another teacher with me, so I thought they would not make so much trouble. But I was wrong. Almost none of the students were listening to what I was saying to them, even as I checked the attendance. That was not all. Although they should be seated in the classroom, many students were walking around acting out. As I tried to make them stop talking, I was not be happy of course and my voice definitely was getting louder and higher. One student told his neighbors “she has a bad day” laughing. I was really frustrated by hearing this because I felt that he seemed that he was taking advantage of having me instead of my cooperating teacher. I know most of students behave well except the fact that they are really chatty. After that I started to observe more precisely how my cooperating teacher reacted to them when they do not listen to her. There were not so much differences in their attitude. She got mad and had to use a louder voice and sometimes even shout and whistle to them. I felt that at often times they could do more stuff in one rehearsal but by repeating lines for each part as they chatted, each period we lost so much precious time and in the end, we found we did so little. I believe music class should be enjoyable but at the same time the teacher should have a certain level of control over them so that they don’t fool around or they don’t regard the music class as just wasting time, especially in large sized classes.

Below is what we were discussing and my cooperating teacher was suggesting for better rehearsal.

1. Come prepared:

- Be punctual; bring music with pencil; and practice

- Be better for each rehearsal

2. Warm-ups:

- Centered participate: what does my voice feel like toda

- Breathing focus in voice, projection

3. Pay attention

- Work on the next part of your music while others are working with their lines

- Stop talking

- When conductor stops, you must stop

As I prepared for teaching the choirs, I looked for many references to deal with different types of choir. Since my cooperating teacher was giving me a lot of freedom I guess when dealing with the choir, I tried not to mimic the way she taught, however still I followed some plans the same when I liked the way she taught. As I read from the books, it seemed good to have some routines for the students regarding the process/steps for the choir such as do warm-ups, sight read, and the piece. But whenever I did warm-ups, I felt like I didn’t have much knowledge about how to make better sounds using our whole body. Sometimes I gave them information that I got from books or other resources but I had difficulties when giving recommendations to them when I identified problems as they were singing. All I could do, I guess is anticipate what was going to happen in the classroom and prepare for how I might respond to them. I knew it might be impossible for every single person in class to pay attention to me and sing well, but I really wanted to communicate with them through music and I believe each class is so valuable for both them and me. They might be learning music from me but also I learned from them how and what about music to teach. So what I will do is to prepare well enough to teach while I am controlling their behavior. I wanted to be friendly but I am not going to be controlled by them. As a student teacher, it seems obvious to have these kinds of concerns or stress; maybe I guess every teacher has the same concerns but they are devoted to the profession because they experience teachable moments.

I had a really good opportunity to watch a performance by drama major students. At first I didn’t know what to expect and what was happening but I got to know many facts about the students living in America and I definitely believe that the contents of the performance will give positive effect on the students who were watching it. In the beginning, about 15 students got on the stage wearing all black colored clothes, and they had different words written on them, which represented each student performing. Basically each person has his/her role to say something related to the issues in this society in mostly monologue setting or acting with one or two more persons. They speak about how much pain they had gotten by being called negative words; such as nigger, chink (Italian Chinese), stupid, fat, gay, bitch, and etc. All of them said never judge people because of their ethnic background, skin color or religion.

The performance tells much more behind their pain and makes us realize how we treat other people. Not only students but teachers regardless of what they are teaching, we can overlook this matter. People say human beings are all equal no matter how they are but we have to think about how much judgment we have had as we treat people differently. I hope students are more aware of what they say to other people and are more responsible as they get older with a more open-mind. I really believe the more the students accept the diversities happening in this world, the more they mature to make a better future.

2nd week(10/4/10-10/7/10)

This week I have tried to learn more from every opportunity I encounter observing and teaching because I missed many classes for about 2 weeks. Fortunately, with the help of professor Lieberman, I am able to attend 2 other classes, which are music appreciation and keyboard class offered in the 1st period. Working with another teacher was fun and a very challenging experience and meeting students who I have already met in choir class in different classes gave me more chances to get to know them better. While I was watching both music appreciation and keyboard classes, I had many concerns about how to deal with these classes. In music appreciation class, they use a certain book in order to get all the information about music history and other materials concerning about music. I noticed that even though it has a lot of information, the role of a teacher is how to explain and relate music history and the information to the students. Teachers need to increase the knowledge of students, so that they can understand and be interested in music class, instead of just memorizing the information that they take notes on. And in the end, students could realize that knowing music history is beneficial.

In keyboard class, a lot of students were pretty good at figuring out key signature, scale, and chords. During class time, it seemed very hard to control the students so that they do not play the instrument while the teacher is talking to them. When I saw the teacher make them stop playing all the time, I was really concerned about how to control them and at the same time I told myself not to get mad when I start teaching them. Also, I started to think of how I am going to break down the material and help them understand and at the same time encourage some students with difficulties following up with the material. I am in the process of learning new instruments in woodwind practicum class, I understand how hard it is to learn something new and my hope is to get every student involved in the class and help them individually so that they don’t fall behind. One student asked my cooperating teacher if he would play the piano much better if he could follow the instructions better, but the teacher told him she was not sure because as they went to a higher grade, they might not get the chance to take the keyboard class. He seemed very disappointed by hearing that and he thought that he might not get a chance to improve his skills with the keyboard later. I just hope that the school could provide a learning environment to the students who want to study and experience more about music and keyboard but may not have the financial support to follow through.

Today it was the first time I was teaching the choir for the entire hour. Unlike other choir classes, the students are mostly 9th graders and some 10th graders and they don’t need to audition to get into this class. So, their level of singing was quite different. I prepared the lesson plan for this class and in overall I wanted the students to sing and also I wanted to help them be more engaged in singing while enjoying and learning more about music. Since there was a sight singing test next day I asked them if they wanted to go over some of the stuff they needed to prepare. Personally I like to ask and talk with people when I teach something. They seemed quite hesitant to ask me for help, so I had to make them feel more comfortable by interacting and smiling at them more often. A couple of students asked me about some parts that they were unsure about and all of us sang it through. During sight singing I could hear that many of them were struggling to find the intervals between the notes. Sometimes I used hand signals to show them high and low pitches and I sang with them all the time. Later I noticed and was also told by my cooperating teacher that I was singing too much and did not let them figure out how the melody went. I realized that the time when we finished sight seeing including attendance and some warm-ups already had passed 25 minutes, so I tried to speed up a little bit. The title we worked on class is “Music, You are a friend to me”. Since they only had a chance to sing a little bit, first I wanted to explain the triplet rhythms that was used in many places in this piece. My cooperating teacher kept pointing out that most students don’t know these stuff so I might need to spend some time explaining from the beginning. It was harder than I thought, to explain the material in front of more than 50 students and have them respond to me. After this, I only had less than 10 minutes to rehearse the piece. I asked them start singing from the place where we worked on the rhythm. Surprisingly, they sang nicely all the triplet rhythms with the words. For the last minute, I tried to make a comment about what we had done today and I promised them that next time we were going to sing a lot more. After the class, my cooperating teacher mentioned to me that she thought the lesson went smoothly and the students seemed that they liked today’s lesson. She also pointed out some things that I might need to fix or alternate for the next lessons. Once again I felt that observing the class and teaching the students were totally different experiences. I will be more focused on managing time on each activity so that I don’t rush towards the end. At all times I have thought carefully on how to explain the material so they don’t get confused as I explain to them.

One day, two people from Carnegie hall visited the school and wanted to see how the students were singing and at the same time they were able to give a short sort of master class. Since the concert at Carnegie hall is coming soon, they wanted to listen and help since they had experienced so many concert choirs. They recommendations on how to make it better and the students kept trying to sing the way they wanted. Since many of the songs had very tricky rhythms and difficulties in terms of where they put syllables, they needed to let the students sing the same thing together. They explained that it is important that when they sing in large places such as Carnegie Hall, the students need to have unity. I guess not all the recommendations were acceptable to my cooperating teacher, but she was very open and tried to find better ways to accommodate the situation.

I know that usually musicians have more guts than people who don’t do music, but it is really important to listen to the opinion of other people and apply it for better results in music. It was certainly useful and valuable time for me to have them and see what they say about the choir as they prepare for the concert.

1st week(9/13/10-9/16/10)

In the school I am student teaching, there are six different music classes; chamber singers (SATB), concert choir (SATB), opera, women’s ensemble, women’s choir, and chorale(SATB). The number of students depends on the class, about 10 to 50 people. I have spent this week observing how the teacher rehearses for each class and at the same time I helped her by accompanying for the pieces they were working and rehearsing in small groups to practice their parts. Students are working on almost all the pieces to prepare for the upcoming concerts, which are scheduled for Oct through Dec. The teacher already chose the pieces including classical music, a cappella, opera aria, and Broadway musical pieces. My cooperating teacher majored in voice and she also was able to play the piano when dealing with each part practice. In each class, she spent time checking attendance, doing warm-ups, and rehearsing one or two pieces. Some concerts are only offered for those who pass the held auditions, which will occur in about 2 weeks. For that reason, students had to work on their part individually.

I don’t have much experience with working for a choir as a director even though I have been playing the piano for the choir for a while. As I am going to direct different choirs as a student teacher, I have thought of how to deal with them in terms of needs, levels of each choir, number of students, creative but efficient way of rehearsing and so on. Recent choir experiences I had were the NYU women’s choir and the Kodaly program where I sang in the choir. Through both of these classes I have learned how to teach choir and make the choir sound good. I enjoyed the classes a lot and worked hard but I realized how I neglected to learn how well they were taught. I always thought that I had a sense of understanding music and teaching choir is something I could do because I could play any music at the same time.

One day the teacher asked me to have the choir warm-ups and part practice. Even though I wasn’t prepared very well, I wanted them to have fun in a way and bring something different than what they were doing. I tried to be confident, bold, and at the same time loud. As warm-ups, I asked them to stretch out their bodies and massage their neighbors. They really liked it and it helped each other to be relaxed. Then I went on vocal practice. At the time I didn’t know which warm-ups were going to help when singing the different pieces, so I just did some easy ones and then I asked them if they have particular warm-ups they wanted to do. One girl suggested an exercise and we had fun while warming up our voices.

I have been thinking about different kinds of warm-up that can be used for the choir and also that can connect to the actual pieces they are working on, instead of seeking routine. In one of the classes that I am taking, we talked about this topic a little bit and if we do the same warm up every day, it might not be a warm up anymore. I am still figuring out what the best way of warming up might be by reading books and searching articles. In most classes I have watched the teacher playing the piano in order to get the pitch or melody and if students do not get it right, she played the piano while singing the part. Even though the students are holding music sheets, they kind of figured out the melody by only listening to what the teacher played or sang. Sometimes they seemed to be confused about the melody because she played a bit differently every time or because she made many mistakes. I am still debating on which way would be better for them, playing the piano whenever I need to or not relying on the piano too much while letting them look at the music sheets and helping them to get the right pitch. After observing many classes, I had many questions.

- Is repetition the best way to get their lines?

- How am I going to stop the chatting, especially when I am working on one part?

- If their voices and sounds are not strong enough, how am I going to encourage them to sing out loud? More energy, is that it ?

- Use appropriate words or terms according to the situation

- For beginning singers, what can I ask them to do? Something not too difficult to understand

- Posture; I think good posture definitely makes better sounds.

- What I could use while I observed from the classes

- Have them at times sing while seated or standing (alternation refrains to get bored I think

- Have them sing by row sometimes not everyone is singing correct

- Give an example that might help them understand about singing

- Not all the time but speaking works with rhythms rather than singing right after they get new music

- Let one part hum while I work with the other part

10th week

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9th week

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8th week

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